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Pablo Picasso Ceramics/Carlos Luna Paintings |
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Pablo Picasso Ceramics/Carlos Luna Paintings
(ongoing)
This installation is a ‘conversation’ between one of the most innovative artists of the twentieth century, Pablo Picasso (1881-1973), and a talented young artist from Cuba, Carlos Luna (born 1969). Both artists had to leave their native countries in order to develop as artists; Picasso left Spain for France in the beginning of the 20th century; Luna left Cuba for Mexico at the end of that same century. The two artists share a common heritage in the art of Spain, a passion for art-making, and although they live/d on different continents at different times, they share in the expression of common, universal themes.
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Latin American Art from the Collection of Pearl and Stanley Goodman |
Latin American Art from the Collection of Pearl and Stanley Goodman
(through December 12, 2010)
Within the part thirty years, the art of Latin America has become a respected and recognized category of modern and contemporary art history, perhaps best known in the United States for the Mexican murals of Diego Rivera and José Clemente Orózco, the chubby figures of Fernando Botero, and the haunting self-portraits of Frida Kahlo.
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Recent Acquisitions from the Latin American Art Collection |
Recent Acquisitions from the Museum’s Latin American Art Collection
(through December 12, 2010)
This large and bountiful installation of more than fifty works in various media illustrates the commitment by the Museum to add to its contemporary holdings art that reflects the character and heritage of Broward County’s growing Hispanic community.
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CoBrA: Selections from the Museum of Art’s Golda and Meyer Marks Collection |
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CoBrA: Selections from the Museum of Art's Golda and Meyer Marks Collection
(through September 5, 2010)
This exhibition features more than one hundred paintings, ceramics, works on paper, and sculpture from the Museum’s holdings of art by the CoBrA group, the largest such collection outside of Europe. The name CoBrA is derived from the beginning letters of the three cities where the CoBrA movement began: Copenhagen, Brussels, and Amsterdam.
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Constructed Reliefs from the Maurice and Sarah Lipschultz Collection |
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Constructed Reliefs from the Maurice and Sarah Lipschultz Collection
(Ongoing)
Names for this body of work have changed over the decades. Charles Biederman (1960-2004), one of the best-know artists represented here, used the term Constructionism to describe his work, something related to and yet distinct from the Russian avant-garde art movement of the 1910s and 1920s known as Constructivism. Later, the term Structurism was used. By the late 1970s, however, Biederman settled on the simpler term: New Art.
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